Machine-Made Works That Look Crafted by Hand
There is a continuity in the life and work of Roman
Verostko that is revealed both in large themes and in the smallest details.
Verostko, a former Benedictine monk, has degrees in philosophy, theology,
and art. He has united the multicolored threads of his life in a complex
and lucid artistic style rooted in what St. Thomas Aquinas called claritas
-- the expression of clarity.
He describes himself as part of a group of artists known as algorists.
As such, his vision is not focused solely on the ink and paper that form
his finished prints. To be sure, there is a marvelous expressiveness in
his lines -- from the fluidly eloquent Oriental brush strokes in his "Nested
Swallow," to the glasslike translucence in the petals of his "Cyberflowers."
Yet these are just the outer surface of his art.
The heart of his work is hidden in the computer programs he writes to
produce images that often seem created by hand. A pen plotter that has
been adapted to print with artist's brushes and pens is used for printing.
The code is reworked by the artist and by the machine for each image, making
each one unique.
An algorithm is a set of actions or procedures, whether mechanical or
organic, Verostko says. It may produce a monument like Stonehenge, or the
radial pattern of seeds in a sunflower.
One of his works may be based on a single stroke that has been repeated
with variations in color, position, and size. The result is a dazzling
texture of intertwining layers, with clouds of jewel-like tones that belie
the fact his palette contains only five colors of ink. When he stands off
from a drawing to look at it and the colors start to shimmer, Verostko
says he knows he has achieved what he wants.
Verostko has referred to the code that creates his work as the "score."
Nonetheless, it is not a techno-pop effect he is after, but one rich with
echoes of the medieval art he loves. ...
Always, the signature of his personal style emerges through the machine.
His current work reflects the same sensibility he has as a painter, Verostko
says. From constructivism, and the Realist Manifesto of Naum Gabo and Antoine
Prevsner, he has taken the ideas of kinetic rhythms and the reality of
objects. From the "random walk" sensibility of Jackson Pollock's drip paintings,
and the cool, jazzlike variations of Piet Mondrian, he has developed an
appreciation for dynamic equilibrium, for the tension between chaos and
The artwork is by Roman Verostko, a professor emeritus
of art history at the Minneapolis College of Art and Design. His artwork
can be seen in the exhibition "Algorithmic Fine Art," at Arizona State
University's Computing Commons Gallery through March 9. The text above
is by the writer Kolleen Roberts. To view the entire exhibition online,
For information about the artist, see http://www.penplot.com/
Section: The Chronicle Review